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KIMMO POHJONEN / ERIC ECHAMPARD
NEWS
Pohjonen and Echampard - Kino Uumen
Improvisational duo Kimmo Pohjonen and French drummer Eric Echampard will perform improvised music under the name Kino Uumen for four short films. Pohjonen/Echampard.
Sept 26: Helsinki, Finland - Love and Anarchy Film Festival, Bio Rex
Sept 27: Tallinn, Estonia - Kinos Söprus

photo: Kalle Björklid / Huumakuva.net

photo: Live Bossauw
Kimmo Pohjonen (accordion)/ Eric Echampard (drums) joined forces in 2000 with the goal to make totally improvised music, live on stage with no rehearsals. They have succeeded in their aim to ride the edge of melody, counterpoint, energy and tension as proven by the enthusiastic audiences at each performance, as well as by the satisfaction and exhilaration of the two players. They have performed since inception in 2000 to the present day with concerts in Finland, Estonia, France, Sweden, Norway, Denmark, the Netherlands, Serbia and Slovenia, including Pori Jazz Festival, Amiens International Jazz Festival, Europa Jazz Le Mans, Cerkno Jazz, Ring Ring Belgrade, M-A-D-E Umeå, and Copenhagen JazzFestival. The first record of the duo "Uumen" has been realeased on April 2005 by Rockadillo records.
Kimmo POHJONEN Accordion, voice, effects  photo: Kalle Björklid / Huumakuva.net
Pohjonen's singular mission is to expand the capabilities,
sound, performance, scope and experience of the accordion in many different
settings to levels never before seen or heard. Accordion, voice, effects,
surround sound and light show combine to make a unique and captivating
performance event. His recent projects include concert collaboration with
his duo Kluster, featuring sampling mastermind Samuli Kosminen, and Kronos
Quartet with World Premiere set for Sept 2004. Pohjonen and Kosminen also
team up with Pat Mastelotto and Trey Gunn of King Crimson for the quartet
called Kluster TU. Pohjonen's latest solo adventure is called Animator
featuring live computer graphics by multi-media artist and designer Marita
Liulia and live video mix by Antti Kuivalainen. -Born 1964, began playing accordion at age 8, playing
dance music, folk music, later classical and rock music. Classical Music
studies at Helsinki Conservatory 1980-1985. Studied at Sibelius Academy
Folk & Classical Music Depts, 1985-96.
-Studied Bagamoyo College of Arts, Tanzania, off and on, 1985-92, and
in Buenos Aires, Argentina, 1994. Teacher of accordion at Sibelius Academy
and in USA, Sweden and Denmark, Holland.
-Named "Folk Musician of the Year" in Finland,
1996, 1997, 1998, he has played on over 75 different albums in the past
10 years including Finnish folk music group Ottopasuuna, duo Pinnin Pojat
with JPP's Arto Järvelä and rock band Ismo Alanko Säätiö.
Pohjonen has also performed music for theatre, ballet and modern dance.
-In 2000, Kimmo received a five year composer/artist grant
from the Finnish state. Named "Accordionist of the Year" for
2000 and 2001 in Finnish Jazz magazine Jazz Rytmit.
-In 2000, presented "KalmukkiSinfonia" project
in Helsinki featuring the 15-piece Tapiola Sinfonietta orchestra, two
percussionists, light show and surround sound.
-2001: Forms duo Kimmo Pohjonen Kluster with sampling
whiz Samuli Kosminen. Tours in Europe throughout 2001-2004.
Teamed up with French percussionist Eric Echampard for first concert in
Tallin. Finnish choreographer Jorma Uotinen directed Finnish National
Opera Ballet performing Kimmo's Kielo music at Helsinki's National Opera
House.
-Kalmuk project with Tapiola Sifonietta toured England in 2002 with simultaneous
release of Kalmuk DVD Symphony.
-Manipulator project, 2002, with multimedia artist Marita
Liulia and buto dancer / choreographer is performed in Helsinki,
Sweden, Belgium. In Helsinki: 6 hours of improvised performance on each
of three days, total 18 hours.
-High profile UK performances including The Proms at Royal Albert Hall,
David Bowie's Meltdown, London Jazz Festival at
the Barbican, Kalmuk and Kluster at Queen Elizabeth Hall
-Composed and performed , with Kluster, music for UK short
film "Flickerman and the Ivory Skinned Woman".
-Kalmuk DVD Symphony wins Teosto Prize (Finland) in 2003. Pohjonen nominated
in BBC Radio 3 World Music Awards and Nordic Council Music Award
-Animator project with Marita Liulia's computer graphics
plus Antti Kuivalainen live video mixing, premiere in Helsinki March
2004, followed by concerts in Wien (June) and Dusseldorf (September).
-Kluster collaboration with Pat Mastelotto and Trey Gunn of King Crimson,
Kluster TU. World premiere in Helsinki and four Tokyo concerts, April 2004.
-Kluster concert collaboration with Kronos Quartet. Compositions by Pohjonen,
World Premiere Helsinki Sept 4,5 2004.
selective discography
Kielo (Finland: Rockadillo ZENCD 2060,
Japan: P Vine PCD 23115, France: World Village 479007)
Kluster (Finland: Rockadillo ZENCD 2074,
Germany, Austria, Switzerland: Westpark 87087)
Kalmuk (Westpark 87092 )
Kalmuk DVD Symphony (Lilith LILDVD 16)
Eric ECHAMPARD Drums photo: Kalle Björklid / Huumakuva.net
-Echampard has a very polished, forceful, subtle, precise style in which
the contrapuntal value of percussion is of highest importance.
-Born in 1970, Eric started to play drums as a child, drawn to jazz and
improvisation just before he turned 14.
-Holder of a diploma in classical and contemporary percussion (CNSM of
Lyon)
-His career of musician and improviser was launched in 1991 when he entered
the quintet of Jacques Didonato. He quickly attracted attention in jazz
and improvised music circles and began work with Louis Sclavis, Philippe
Deschepper, Chevillon, François Jeanneau, Michel Eddelin. In the
mid-nineties he took part in Systeme Friche, a large ensemble of improvisers
managed by Jacques Di Donato and Xavier Charles. He also entered the ORJA
big band and is still involved in the large ensemble conducted by composer
and arranger Bernard Strubber.
-1995 was a turning point. He started to play in both François
Corneloup trio and the Marc Ducret trio. The trio of baritone and soprano
sax player Corneloup together with Claude Tchamitchian on bass performed
extensively all over Europe till the end of the group in 2001. Then Corneloup
started a quartet with Echampard, Yves Robert on trombone and Marc Ducret
on guitar. This new band immediately managed to establish itself as a
top laboratory of French new jazz. The collaboration with Marc Ducret
has been a crucial part of Echampard's career from its beginning. The
power trio with Bruno Chevillon on bass is definitely one of the greatest
in this genre at the moment. Eric is also involved in Ducret's big band
"Le sens de la Marche" and in the quintet with Benoît
Delbecq (piano, keyboards) and Christophe Monniot (sax).
-Nowadays he also performs in the quartet of Michel Portal, with Chevillon
and pianist Bojan Z. Other outstanding bands are the trio and the MegaOctet
of pianist Andy Emler.
selective discography:
"Clic ", Jacques Di Donato
Quintet (Pan Music)
"Système Friche ", Jacques
Di Donato and Xavier Charles (In Situ Instants Chavirés)
"Jardins Ouvriers ", François
Corneloup Trio (Evidence)
"Danses et autres scènes ",
Le Grand Lousadzak (Emouvance )
"Le Phare ", Louis Sclavis
and Bemard Strubber Jazzlet (Enja)
"Two Angels for Cecil" Raymond
Boni & Eric Echampard (Emouvance)
"Cadran Lunaire" François
Corneloup Trio (Evidence)
"Danses et Autres Scènes"
Louis Sclavis (Label Bleu)
"L'Ombra di Verdi ", Marc Ducret
Trio (Screwgun - IHL)
"Tee time" Andy Emler trio
(In circum girum)
"Pidgin", François Corneloup
quartet (Evidence)
"Qui Parle" Marc Ducret, feat
Marc Ducret trio and 15 musicians altogether (Sketch)
Review: "
. Pohjonen, in duo with Ducret's brilliant and utterly dynamic drummer Eric Echampard, proved himself, in the course of that hour, to be truly an innovator on his instrument and in his conception of improvised music. Layering chords upon chords and building to crescendos of melodic and harmonic extravagance by means of a seamless production of gradually mounting orchestral body from his instrument, pedaled special-effects such as loops, sampling, and playback, and guttural vocalizations, moans, and insect-like buzzes via a tiny mic resting upon his left cheek, Pohjonen rocked back and forth demonically on his stool, his face often contorted in emotional pain. So distraught did he appear in his final ten minutes or so onstage, as he hurled himself forward onto his feet into a crouch several times, pumping the accordion and manipulating its keys and buttons as though possessed by a spirit (as well he may have been -- the program parenthetically included as among his musical styles "shamanistic trance"), I thought that he would wrest the accordion from his shoulders by its straps and smash it on the stage.
Kimmo Pohjonen's performance proved to be a riveting musical and surreal theatrical experience, a multi-dimensional display of totally original, astonishingly eccentric, and unabashedly uncompromising artistic genius. I can't think of any performance of recent years that has so moved me. Allow me here to praise drummer Echampard for his extraordinary drive, virtuosity, and creativity under what clearly must have been murderous pressure to stay abreast of the headlong idiosyncrasy of his musical companion. We look forward to Kimmo Pohjonen one day soon taking the continental U.S. by storm." (www.jazzhouse.org)
Bookings: Vapaat äänet - Charles Gil, Helsinki, Finland
office phone: +358 9 773 1916 mobile phone: +358 50 5716 516, charles.gil@kolumbus.fi
Pohjonen management: Hoedown Arts, Helsinki pap@hoedown.com www.hoedown.com
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